"Dwarf Trees" from Lord Macartney


        Lord George Macartney (1737-1806) was the English ambassador sent to China .  The first British Embassy to China, for the promotion of science and to secure a more favorable trade agreement and diplomatic ties, set sail from Spithead on 26 September 1792.   The embassy was given the opportunity of traversing a  part of the country beyond the Great Wall when it travelled in early September 1793 to Jehol, one of the summer residences of the Manchu Emperors.
         Macartney, along with visiting Mongols and Burmese, was then given a single imperial audience and presents for his mission and the King.  He received no state dinner.  Macartney was received only as a tribute bearer.  The 85-year-old Emperor Qianlong 's councilors had already prepared a haughtily worded edict.  It acknowledged King George III's "sincere humility and obedience" in sending a tribute mission to the Emperor.  It also absolutely rejected the proposals for changing the existing trade arrangements since they did not "conform to the Celestial Empire's ceremonial system."  This was quite possibly because the Chinese government was alarmed by news of recent great troubles in Europe and considered the inhabitants there to be of a turbulent character, conquering nations by violence and deception.  The imperial edict Macartney was to convey to George III declared that China was self-sufficient and had "not the slightest need for your Country's manufactures."  It also admonished the British monarch to "act in conformity with our wishes by strengthening your loyalty and swearing perpetual obedience..."
       After the audience there was the return to Peking in late September.  The embassy was allowed to return from the Chinese capital beginning on 7 October to Canton through the interior of China.  Reaching Canton on 19 December, the members sojourned in that city and in Macao, leaving there on 17 March 1794 and arriving in England on 6 September.   Sir George Leonard Staunton (1737-1801), Secretary to the embassy, brought home from this journey a rare collection of Chinese plants gathered by him in regions where plants had never been collected by Europeans before.  The secretary was charged with producing the official account of the Embassy after their return.  Some 400 plants are listed with their botanical names in Staunton's three-volume work, An authentic account of an embassy from the King of Great Britain to the Emperor of China ... : Together with a relation of the voyage ... to the Yellow Sea, and Gulf of Pekin ... : Taken chiefly from the papers of ... the Earl of Macartney ... Embassador Extraordinary and Plenipotentiary ... and Sir Erasmus Gower, Commander of the Expedition, and of other gentlemen ... of the Embassy.
Lord George Macartney


      
"The ambassador said that the understanding of dwarf tree culture was a secret, and was very highly esteemed." 1


      We have since discovered that, per The Great Navigators of the Eighteenth Century  by Jules Verne, translated from the French (New York: Charles Scribner's Sons; 1887), pp. 363-364, the following comments are given apparently with Macartney's account:
      “...an opportunity was taken to visit Tinghai, where the English excited as much curiosity as they felt themselves at the sight of the many things which were new to them.
      “Many of the facts which surprised them are familiar to us, the appearance of the houses, the markets and dress of the Chinese, the small feet of the women, and many other particulars to which we need not refer.  We will only allude to the account of the method employed by them in cultivating dwarf trees.
      “'This stunted vegetation,' says Macartney, 'seems to be highly appreciated in China, for specimens of it are found in all the larger houses.  It is an art peculiar to the Chinese, and the gardener's skill consists in knowing how to produce it.  Independently of the satisfaction of triumphing over a difficulty, he has the advantage of introducing into rooms plants whose natural size would have precluded such a possibility.
      “'The following is the method employed in China for the production of dwarfed trees.  The trunk of a tree of which it is desired to obtain a dwarfed specimen, is covered as nearly as possible where it separates into branches with clay or mould, over which is placed a linen or cotton covering constantly kept damp.  This mould is sometimes left on for a whole year, and throughout that time the wood it covered throws out tender, root-like fibres.  Then the portions of the trunk from which issue these fibres, with the branch immediately above them, are carefully separated from the tree and placed in fresh mould, where the shoots soon develope into real roots, whilst the branch forms the stem of a plant which is in a manner metamorphosed.  This operation neither destroys nor alters the productive faculties of the branch which is separated from the parent tree.  When it bears fruit or flowers it does so as plentifully as when it was upon the original stem.  The extremities of the branches intended to be dwarfed are always pulled off, which precludes the possibility of their growing tall, and forces them to throw out shoots and lateral branches.  These shoots are tired with wire, and assume the form the gardener chooses.  When it is desired to give an aged appearance to the tree, it is constantly moistened with theriaca or treacle, which attracts to it multitudes of ants, who not content with devouring the sweetmeat, attack the bark of the tree, and eat it away in such a manner as to produce the desired effect.'
      “Upon leaving Chusan, the squadron entered the Yellow Sea, never before navigated by an European vessel...”
   


NOTES

1      Goodrich, L. Carrington and Nigel Cameron  The Face of China As Seen by Photographs & Travelers, 1860-1912 (New York: Aperture, Inc.; 1978), pg. 149;

Fessler, Loren and the Editors of LIFE  China (New York: Time Incorporated; 1963), pg. 48;

Gothein, Marie Luise  A History of Garden Art (reprinted by Hacker Art Books, New York; 1966), pg. 252 has mention of culture as a secret. (Where in English is this stated at length?  Could Macartney's Chinese sources have been hinting at the Daoist background of penjing?);

Bretschneider, Emil, M.D.   History of European Botanical Discoveries in China (Leipzig: Zentral-Antiquariat; 1981.  Reprint of the original 1898 edition), pp. 155, 158-159, 162.  Another reference to Macartney and Staunton can be found here.

William Alexander (1767-1816) was the official artist attached to Lord Macartney's embassy.  He provided the British public with thousands of drawings to accompany both the official and non-official accounts of the diplomatic missions.  His official 1805 book contains forty-eight hand-coloured plates showing various scenes from the Embassy’s journey.  Did he ever depict any penjing?
        Per Jackson, Anna and Amin Jaffer (ed.)  Encounters, The Meeting of Asia and Europe, 1500-1800 (London: V&A Publications; 2004), pg. 359, Alexander "'made no attempt to contact Chinese counterparts or to acquire an understanding of their work' while in China.  Instead, Macartney's Britain still preferred the escapist fantasy of a tamed and lanquid Orient."  Pg. 358 also notes that after his embassy to China, "British envoy Lord Macartney likened the country to 'an old crazy first-rate man-of-war,' which had long overwhelmed her neighbours 'by her bulk and appearance,' but was doomed under inept leaders to be 'dashed to pieces on the shore.'  Fear of the East had defintely been replaced by contempt -- even in such a cultured mind as Macartney's."

J. C. Loudon, An Encyclopaedia of Gardening; comprising the Theory and Practice of Horticulture, Floriculture, Arboriculture and Landscape Gardening, Including all the Latest Improvements; a General History of Gardening in all Countries; and a Statistical View of its Present State, with Suggestions for its Future Progress in the British Isles, 2nd ed., London, 1824, pp. 103-104: “The British works, published after different embassies, contain accounts of their modes of propagation, by inarching and local radication; of their dwarfing forest-trees, producing double-flowers, monstrous unions, and various other exertions, in the way of conquering nature.” Per Craig Clunas in "Nature and Ideology in Western Descriptions of the Chinese Garden," pp. 24.

Image from here.

See also 1827 article in Loudon's The Gardener's Magazine which has excerpt from James Main's 1793-94 China Journal.  Main was in Canton hunting plants, not with Macartney's embassy in Peking.


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