YUJI YOSHIMURA
"The Father of Popular Bonsai in the Non-Oriental World"


        In 1921, a second son (of eventually twelve children) was born to the family of Toshiji Yoshimura.  Toshiji was a leader in the bonsai world, one of the top suiseki authorities in Japan, and owner of the Kofu-En Bonsai Nursery, located in a Tokyo suburb.  He would also be a founder of the Nippon Bonsai Society.  His father was a samurai and a renowned garden designer.

        In 1924, the eldest son of Toshiji died in childhood, and the family bonsai tradition passed on to the three-year old named Yuji, who would one day leave his mark on the art in many places outside of Japan. 1

        Yuji Yoshimura as a youth studied all the related traditional art forms of bonsai.  He graduated from the Tokyo Horticulture School where he had studied bonsai, bonkei, and garden art.  His family's Kofu-en Bonsai Nursery occupied him until his career was interrupted by five years of army service.  Upon termination, he went back and assumed operation of the nursery, continuing his grandfather's landscape gardening work, and also becoming active in the Japan Young Man's Bonsai Association.

         In 1952, the thirty-year old Yoshimura collaborated with his friend and interpreter, a German diplomat and well known author of books on Oriental arts and crafts, Alfred Koehn, to give demonstrations and the first formal bonsai courses opened to the public and outsiders.  Some five hundred foreign visitors were eventually taught by the pair. 2

         In 1957, The Japanese Art of Miniature Trees and Landscapes by Yuji Yoshimura and Giovanna M. Halford was published (Rutland, VT and Tokyo: Charles E. Tuttle Co.).  Although there had been a few earlier books in English by this time, this was the first really comprehensive and practical work on the subject.  It was received with excitement by those who were eager to learn classical bonsai.   (Forty-three years later, the thirty-seventh printing would be made of what some have referred to as the "Bonsai Bible in English."  The work has twenty-five color and 245 b&w photos and illustrations.) 3

         The following year, Yoshimura was invited to come to the Brooklyn Botanic Garden by its director, Dr. George Avery.  While on the 1959 C. Stuart Gager fellowship grant there, Yoshimura extended his teaching and lecturing beyond the East Coast to also the West Coast and Hawaii.  He returned to teach at Longwood Garden near Philadelphia. 4
         About the time Yoshimura began visiting the greater San Francisco area, Toshio Saburomaru and several friends took the series of lessons from this newcomer from Japan.  Other students were attracted also.  Demonstrating an innate expertise on the subject, Tosh began organizing regular classes at his Menlo Park nursery using the new techniques from Japan, and these led to more extensive workshops, demonstrations and soon a number of clubs in the Bay area.

         In 1960 Yuji Yoshimura spent two months in Australia making a lasting impression, assisting the early teachers and students of the nascent art there, and becoming Patron of one of the bonsai groups. 5
         Yoshimura was then giving weekend classes in the New York/Philadelphia area.  A lecture at the Cleveland Art Museum in 1960 included an outdoor exhibition of trees by the teacher and some of his students.  This year also saw the importation from Japan of an informal twin-trunk upright Sargent juniper which had been struck from a cutting in 1939 by Yoshimura.  And the publication took place of a booklet by his Yoshimura Bonsai Company, Bonsai. What? Why? How? 6

         In 1962 Yoshimura began to teach classes at the New York Botanical Garden, assisted by Edna L. Kane. 7
         (Also this year, five clubs joined to form the Bonsai Clubs Association of San Francisco Bay Area.  The BCA newsletter came out in November issued from Tosh Saburomaru's office mimeograph machine.  Yuji Yoshimura is credited with the idea of the newsletter.  It once and for all broke down any idea of secrecy in bonsai and departed from "the idea of one bonsai master."  It made bonsai an art for everyone with great artists and great teachers in an atmosphere of freedom.  Bonsai clubs began to work together and encouraged the formation of others.  Connie and Horace Hinds, Jr., who had taken lessons from both Tosh and Yoshimura when he was in the area, assisted editor Robert C. Miller, Jr. on that and subsequent issues.   BCA president in 1964, Horace would be the Editor-in-Chief for eleven years beginning in 1966 for the newsletter's next incarnation, Bonsai, Magazine of Bonsai, Japanese Gardens and Suiseki.  And he then continued as Editor Emeritus until his death in 1991.) 8

        At the beginning of 1963, the Bonsai Society of Greater New York was founded by Yuji Yoshimura and thirteen enthusiasts.  Jerry Stowell was elected the first president.  Within three years there were 555 members, including 339 corresponding members in thirty-one states and several foreign countries.  The club's first official show was held that October at the New York Botanic Gardens. 9

        In March 1964 Yoshimura's wife and two daughters came from Japan to join him at his American Nursery in Tarrytown, NY.  There he had begun importing containers and some bonsai from Japan and would eventually create over a thousand fine quality bonsai from American stock.  Muriel R. Leeds began studying under this teacher.  A winner of the Horticultural Award of the Garden Club of America, Leeds was trained as an artist and painter. 10
        The December issue of Horticulture magazine included an article by Yoshimura, "The Meaning of Bonsai."  With six b&w photos by the author, it gave some of the Japanese history of the art, basic aesthetics and care. 11

        (Tosh Saburomaru served as educational advisor to Lane Books Co. on the Sunset Bonsai illustrated paperback.  The book's first printing in March 1965 of 17,500 copies sold out in a month, and six thousand more copies sold in the next few months, the most successful of the magazine's eighteen low-priced gardening books. The tenth printing was made in April 1970). 

        The growing interest in bonsai received mention in a January 1966 Wall Street Journal article.  By this time there were over twenty clubs in the U.S., half of them started in just the previous three years.  Yoshimura's Tarrytown, NY nursery is quoted as offering fully trained trees from $3.50 to $3,000. 12
        Also this year, the Yoshimura Bonsai Company published the fifty page Bonsai Album: In Memory of Six Years in New York.

        (In June 1967, members of the Bonsai Society of Greater New York, seventeen of which had participated in a two week Spring study tour of bonsai in Japan, helped found the American Bonsai Society in Cleveland, Ohio.  By the end of the first year, there were ninety-nine individuals and fifteen clubs as charter members.  Jerry Stowell was elected its first president.) 13

        (In January 1968 "Bonsai Clubs International" was officially adopted to replace "Bonsai Clubs Association" due to many inquiries from English-speaking countries and associations with members outside of the U.S.  Jim Ransohoff -- a student under Peter Sugiwara, Tosh, John Naka, and Yuji Yoshimura -- was elected president of the improved organization.  Over 1,100 copies of the Dec/Jan 68 issue of the BCI magazine Bonsai would be distributed.) 14

        As conventions and exhibits became popular, Tosh Saburomaru and Yuji Yoshimura began to be frequent demonstrators and lecturers from Sebastopol to Fresno, California. 15

       The eleven page Bonsai in Sydney booklet by E.N. Marshall in 1970 (Ingleburn, N.S.W.: Combined Bonsai Groups of Sydney) included an article by Yoshimura.

        In the summer of 1971 Yoshimura led a bonsai tour of Japan.

        The following year the first joint convention by BCI and ABS was held in Kansas City, MO.  Some four hundred persons attended the July 13-16 event.  With an official theme of "Learning Together," the guest artists were Yuji Yoshimura and Toshio Kawamoto, the major promoter of saikei, natural tray landscapes using less developed trees than required by bonsai and which could be enjoyed by a wider audience.
        During this year, Yoshimura delivered a lecture in which he spoke of the "dream of American bonsaists for a place where they could give or will their treasures, knowing that the trees would be cared for and viewed by visitors for years to come."  Newly appointed Director of the U.S. National Arboretum Dr. John L. Creech was in attendance.  (He had been a frequent visitor to Yoshimura's Tokyo garden in the early 1950s and was actually the one who had recommended the bonsai authority to Dr. Avery of the BBG.)  Impressed by his old friend's thoughts and the fledgling Potomac Bonsai Association's first show at the National Arboretum, Dr. Creech then approached his departmental heads with the suggestion that acquiring a major bonsai collection might play a roll in the Department of Agriculture's bicentennial plans.  Receiving encouragement, Dr. Creech sought the help of longtime friends in the world of Japanese horticulture.
        In August 1972 the first English edition of the Japan Bonsai Society's Nippon Bonsai Taikan (Grand View of Japanese Bonsai and Nature in Four Seasons) was published.  The ninety page English book, translated by Yuji Yoshimura and Samuel H. Beach, included a small b&w photo of each original color one in the 352 page Japanese edition, along with a rendering of most of the text.
        That year Yoshimura sold his Tarrytown nursery for development.  He re-located his nursery and the Yoshimura School of Bonsai about five miles to the northeast in Briarcliff Manor, NY. 16

        (On Aug. 27, 1975, Toshiji Yoshimura died at the age of 83.)
        The first Australian National Bonsai Convention and Show was held between October 31 and November 2, 1975.  The Guests of Honor were John Naka and Yuji Yoshimura.

        Between September 1975 and December 1976, Yuji Yoshimura conducted a series of six one afternoon constructive critique sessions for members of the Yama Ki Bonsai Society at the Bartlett Arboretum in Stamford, CT.  There was a single topic for each of the days.

        On July 17 and 18, 1976, a special exhibition honoring twenty-five years of instruction by Yuji Yoshimura was held at his School of Bonsai.  The featured trees for this came from the Muriel R. Leeds Collection.  A Commemorative Album would be issued the following year with over a hundred photos showing many trees over the course of ten years of development. 17


     The National Bonsai Collection Guidebook was edited by John Naka and Yuji Yoshimura in 1977.

       Yoshimura assisted his student William N. Valavanis, a teacher in his own right, in launching the premier issue in the Spring of 1979 of the quarterly International Bonsai.   The elder sensei also translated its first article -- "Creation of Small Size Satsuki Azalea Bonsai" --  from the Japanese magazine source.
       At the joint BCI-ABS Convention from July 4 to 8 in New York City, Yuji Yoshimura, John Naka, and Frank Okamura were the guest artists.  Okamura had been the Brooklyn Botanic Garden's curator and teacher of bonsai for nearly thirty years.

        In 1982 Yoshimura conducted a teaching tour for the bonsai clubs in India.
        A few years earlier, Yoshimura had been talking with Dr. Creech and others about the idea of building upon the Japanese collection.  In a letter to bonsai teacher Marion Gyllenswan, he stated "...it really calls for an independent body of bonsai authorities to look at the overall situation with private collections of heirloom quality and develop some kind of a plan for their preservation, either as part of a national collection or by local public institutions."  The result was the formation in 1982 of the National Bonsai Foundation, Inc., a non-profit corporation in Washington, D.C. on behalf of the National Bonsai and Penjing Museum of the National Arboretum.  John Naka, Yuji Yoshimura, and now former Arboretum Director Dr. John L. Creech were elected as advisors to the Foundation.  Mrs. Gyllenswan became its first president.  18


        In 1984 The Japanese Art of Stone Appreciation, Suiseki and Its Use with Bonsai was published by Charles E. Tuttle Co.  The authors were Vincent T. Covello and Yuji Yoshimura.

        Yuji Yoshimura gave a demonstration and a workshop at the fourth annual Mid-Atlantic Bonsai Festival on April 25 and 26, 1987.  The event for eight local clubs was held in North Haven, CT.

        The John Y. Naka Pavilion was dedicated in October 1990 to house the National Collection of North American Bonsai.  Connected to the Naka Pavilion is the Yoshimura Center housing a lecture and workshop room.  Two of Yoshimura's bonsai are in the National Collection. 19



Photograph from The New York Times, Oct. 5, 1990 by Jim Estrin with the caption: "A Touch of the East Comes to the Bronx -- Yuji Yoshimura, a master of the ancient Japanese art of bonsai cultivation, tending the New York Botanical Garden's exhibit of the dwarf trees.  The five-day exhibit, which opened yesterday, will include lectures and instruction for novice bonsai enthusiasts."  (Copy given to Phoenix Bonsai Society charter member Alice Feffer)

        The Second World Bonsai Convention, "New Horizons," was held in Orlando, FL from May 27 to 31, 1993 in conjunction with the BCI and ABS conventions.  Saburō Katō, John Y. Naka and Yuji Yoshimura headlined for the over seven hundred delegates who attended.

        From November 3 to 6, 1994, a joint BCI/GSBF convention took place in San Jose, CA.  (The Golden State Bonsai Federation had been founded in 1978 and its conventions alternated between northern and southern sites in the state.)  Guests of honor were John Naka, Toshio Saburomaru, and Yuji Yoshimura.  Enthusiasts attending were also from nine countries and territories outside the U.S. 20

        In early March 1995, Yuji Yoshimura suffered a mild stroke while on lecture tour to North Carolina.  Improving after a short hospital stay and discharged to his daughter's care near Boston, near month end he suffered a major stroke.  On April 3, he successfully underwent neurosurgery to clean out a 95% blocked main artery.  The following week he had surgery on the other artery which was 85% blocked.  By May 6 he was well enough to attend a demonstration at the New England Bonsai Garden. 21

        (In April 1996, Toshio Saburomaru passed away.)

        On Christmas Eve, 1997, bonsai master Yuji Yoshimura passed away. 
        The National Bonsai Foundation, Inc. established the Yuji Yoshimura Fund as a permanent endowment to keep this great artist's spirit alive for future generations. 22

        Having lived in the Western world for over thirty-five years, he had personally observed the differences in the Eastern and Western cultures as reflected by their arts.  Although his students had been primarily of the United States, he taught classical bonsai to thousands of students worldwide.  In that Yuji Yoshimura was a Japanese bonsai artist who lived outside of Japan for such a long span of years, he became a direct link between Japanese classical bonsai traditions and the progressive Western approach.  The result was an elegant and refined school of bonsai adapted for the modern world. 23
 



 
     For further information, you are cordially invited to order the 1988/No. 1 issue of International Bonsai magazine which includes William N. Valavanis' "Yuji Yoshimura, A Memorial Tribute To A Bonsai Master & Pioneer" (pp. 29-44).  This detailed, wonderful biography is illustrated with forty-seven b&w photos and can serve as a complement to this web page (and vice versa).  Valavanis also composed "A Memorial Tribute" which was published in the North American Bonsai Foundation Newsletter No. 3, http://www.bonsai-wbff.org/nabf/newsletter3/yoshimura.htm


NOTES

1     Golden Statements, Golden States Bonsai Federation, September/October, 1994, pp. 23-24; Valavanis, William N. "Yuji Yoshimura, A Memorial Tribute To A Bonsai Master & Pioneer," International Bonsai, IBA, 1998/No. 1, pg. 41. 

2     Dillon, Jim  "Sokumenzu -- Profile of Yoshimura," Bonsai, Bonsai Clubs International, Vol. XI, No. 6, July/August 1972, pg. 6; Koehn, Alfred  Bonkei: Japanese Tray Landscapes ; Tokyo: Foreign Affairs Association of Japan; 1955, pp. 2, 35; Golden Statements, GSBF, September/October, 1994, pg. 24; Valavanis' "Memorial Tribute," pg. 32, states "within three years he had taught over 600 foreigners."; a personal e-mail to RJB from Christopher T. Adcock, Jan. 14, 2004 mentioned that Mr. Adcock's grandfather had taken the class in the Spring of 1956. Mr. Adcock was gracious enough to share a .pdf of the class flyer, which we have linked above.

    Golden Statements, GSBF, September/October 1994, pg. 24. 

    Smith, Jean C.  "I.B.C. '83 Bonsai Horizon Headliners," Bonsai, BCI, Vol. XXII, No. 5, June 1983, pp. 159-160; Dillon's article, pg. 6; Bonsai, BCI, Vol. XXXII, No. 3, May/June 1993, pg. 6; International Bonsai Digest Bicentennial Edition, Juyne M. Tayson, Editor and Publisher, 1976, pg. 36. 

    Kosh, Davina  "Among the Greatest Joys of Bonsai," Bonsai, BCI, Vol. IX, No. 2, March 1970, pg. 7;  Valavanis' "Memorial Tribute," pg. 35, has the date as 1962.

    Yoshimura, Commemorative Album: The Muriel R. Leeds Collection ; Briarcliff Manor: NY: Yoshimura School of Bonsai; 1977.  Pp. 12, 48, with four b&w photos of juniper on page 20.   Limited edition of 500 copies. 

    Yoshimura, Leeds, pg. 64; Valavanis' "Memorial Tribute," pg. 35, comments that this "continued until 1994 with the exception of a few years due to illness."

    Bonsai, BCI, Vol. XI, No. 5, July/August 1972, pg. 22, and Vol. XXXII, No. 6, November/December 1993, pp. 23-24. 

    Dillon's article, pg. 6;  Willse, James P.  "Bonsai, or Miniature Trees, Become a Fad: Fans Grow Their Own or Pay Up to $3,000," Wall Street Journal, January 4, 1966, pg. 9, states that there were eighteen founding members; Bonsai Journal, American Bonsai Society, Vol. 1, No. 1,  pp. 15-16; Valavanis' "Memorial Tribute,"   pg. 35, states that "In February 1963 seven of Mr. Y's serious students gathered at his nursery to organize..."; Stowell, Jerald P. Bonsai: Indoors and Out ; Princeton, NJ: D. Van Nostrand Company, Inc. 1966, b&w photo pg. 107;

10     Yoshimura, Leeds, pg. 64; Young, Dorothy S.  "History of Bonsai East" in International Bonsai Digest presents Bonsai Gems, Fall 1974, pp. 91-92. 

11     Yoshimura, "The Meaning of Bonsai," Horticulture, December 1964, pp. 16+ 

12     Willse's article, pg. 9; 

13     Stowell, Jerald P. The Beginner's Guide to American Bonsai ; Tokyo: Kodansha International, Ltd.; 1978, pg. 7; Bonsai Journal, ABS, Vol. 1, No. 1, pp. 3-5, Vol. 1, No. 3, pg. 13, and Vol. 21, No. 2 , Summer 1987, pg. 2. 

14     Golden Statements, GSBF, July/August 1994, pp. 36-37; Land, Dorothy "Celebrating 35 Years of Progress," Bonsai, BCI, Vol. XXXII, No. 4, July/August 1993, pg. 29, states that in November 1967 the renaming occurred. 

15     Golden Statements, GSBF, September/October 1994, pg. 23. 

16     "How It All Began," Bonsai, BCI, Vol. XXXV, No. 4; July/August 1996, pg. 24; Valavanis' "Memorial Tribute,"   pg. 34; Yoshimura, Leeds, pg. 64.

17     Personal e-mail from William N. Valavanis to RJB on Feb. 12, 2006;  Bonsai Journal, ABS, Vol. 10, No. 2, Summer 1976, pg. 40; Bonsai, BCI, Vol. XV, No. 3, pg. 67; Yoshimura, Leeds, pg. 61. 

18     "How It All Began," Bonsai, BCI, Vol. XXXV, No. 4; July/August 1996, pg. 26; Dannett, Emanuel  "The National Bonsai Foundation," Bonsai, BCI, Vol. XXII, No. 3, April 1983, pg. 81. 

19     Valavanis, William N.  "Profile of an Artist," Bonsai Journal, ABS, Vol. 32, No. 1, Spring 1998, pp. 8-9. 

20     Golden Statements, GSBF, November/December 1994, pg. 5. 

21     1995 Internet posting 
           Date: Tue, 23 May 1995 14:09:05 -0500, from Rick Raygor 
            <raygor@TIES.K12.MN.US> which gave this news per Thu, 6 Apr 1995, INT BONSAI; 
             rec.arts.bonsai Article 11214, dated Mon., 8 May 1995 07:29:15 EDT, from Gary Bolstridge 
             (Newport, RI Bonsai Club) <gary@GAROPA.NPT.NUWC/NAVY.MIL> 

22    Valavanis' "Profile" article, pg. 9. 

23     Paraphrased past tense from Golden Statements, GSBF, September/October 1994, pp. 24-25.


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