BONSAI  BOOK  OF  DAYS

What Happened On This Date in "Recent" Bonsai History?
 
 

JULY



Days 1 - 10
Days 11 - 20

21 1973 -- Dorothy Young, President of the American Bonsai Society, and Beverly Oliver, President of Bonsai Clubs International, signed a resolution extending wholehearted support for the establishment of a National Bonsai Collection at the National Arboretum in Washington, D.C.  This was during the joint Bonsai Congress in Atlanta, Georgia.  There Dr. John Creech, the Third Director of the Arboretum, put forth the concept of a National Bonsai Center to house trees to be gifted to this country by the Japanese as part of the U.S. Bicentennial three years hence.  The concept had initially been discussed at the 1973 spring show of the Potomac Bonsai Association.  Its acceptance now by these two principal bonsai organizations -- and master Yuji Yoshimura, who was in attendance and who had expressed earlier his dream that the richest nation in the world should have a National Bonsai Collection -- helped persuade the Japanese people that America was earnest about participation in this gardening art.

Beverly Oliver, International Bonsai Digest Presents Bonsai Gems, pg. 89
"Beverly Oliver, President of Bonsai Clubs International, reading a proclamation honoring the Hindses."
(International Bonsai Digest Presents Bonsai Gems, Fall 1974, pg. 89)

( The Bonsai Saga by Dr. John Creech, pg.17)   SEE ALSO: Feb 19, Jul 9
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23 1982 -- The two-day "Art of Bonsai Exhibition" began at the Royal West of England Academy of Art in Bristol.  This exhibit was the first to be held in an art gallery in the United Kingdom.  The excellent facilities and lighting proved to be the perfect setting for the finest display yet sponsored by the Bristol Bonsai Society.  Visitors attended from across the country to view predominantly British trained trees.  Sixty percent of the bonsai were British, while forty percent were developed from imported stock.  Educational displays, including an audiovisual presentation, were popular with the general public.  ("The Art of Bonsai Exhibit6ion," International Bonsai, IBA, 1983/No. 1, pp. 24-25 with 8 b&w photos)   SEE ALSO: Jan 4
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25 2010 -- Ruth Stafford-Jones died today at about age 89.  Many who knew Ruth will remember a lady who made a large contribution to the British bonsai scene at a time when few bonsai societies existed.   (She saw her first bonsai in 1959 in a Japanese hotel near Mount Fuji.  "They had them in the garden.  I had always known bonsai existed, but when I saw them, I said, 'They're for me'."  There was plenty of time to indulge this new-found interest because, over the next quarter-century, she spent six weeks of every year in Japan, accompanying her husband, Kenneth, who exported cloth for the fashion industry.  Not long afterwards she made plans to study there.  She first studied under Isaburo Nishiyama in whose nursery all conversation had to be in Japanese.  Nishiyama-san was a very gifted careful and traditional grower.  His trees were much sought after by the top nurseries in Omiya to finish off before selling.
        Ruth later studied under Susumu Nakamura (b. 1932, Yokohama), she being one of the first westerners to study in Japan under him.  At his Shonan School of Bonsai (est. 1976) she obtained a proficiency certificate -- the only non-Japanese to possess one at that time.  Apparently when he taught at various organisations Nakamura-san took her along as "a teacher from England," which embarrassed her terribly as she felt she was neither a teacher nor fluent in Japanese.  He wanted her to become a teacher so that she could pass on what she had learned.  This was something that she was able to do in her own country without embarrassment.  During her prolonged periods in Japan she made many bonsai connections and got to know the principal growers in Nagoya and Kyoto, as well as Omiya, and was thus able to bring a number of Japanese bonsai specialists to England where they gave lectures and demonstrations which did much to raise enthusiasm for the art in the UK.  During those early years she acquired the bulk of her imported collection of interesting high-quality trees, many of them mature, and they all now bear the imprint of forty years of Ruth's care and devotion.  She would buy a few more bonsai in Japan and have them sent back to London.  "I would meet the tree at the airport and wait for it to clear quarantine," she said.  Later, she started collecting seed in Japan.  "If we went to visit a temple, everyone would be looking up, oohing and aahing -- and I would be looking down for seed."
        She was for many years a member of the Japan Society of London, part of which evolved into Bonsai Kai.  In 1964 she joined the Bonsai Kai and was soon a committee member.  She became a Royal Horticultural Society judge at the Chelsea Flower Show -- a duty she carried out for 27 years.  She ran courses in bonsai at her home and gave talks.  She showed her large collection of slides of top Japanese trees to clubs and societies throughout the country for many years.  Throughout these years she generously lent trees for Chelsea and other national exhibitions and events.  Her special affection for and extensive knowledge of maples was widely known.  For a large part of her life, she lived with her husband in Surrey.  It became apparent a decade ago that her collection had become so large that it was beginning to be a burden, so she decided she should find it a good home where people could still see it.  Her trees were donated to the Kew Gardens in 2001.  Her bequeathed collection were the first bonsai Kew had and those 50, some more than 200 years old, reside now with others in the Bonsai House there.  Sometime after that she moved down to Cornwall to be close to her family, still caring for some bonsai.
Following the establishment of the Association of British Bonsai Artists, Ruth was to become the first ever recipient of that organisation's "Most Prestigious Award," presented to her for her lifetime contribution to bonsai at the 4th ABBA Symposium on Sunday, 16th June, 2002.  Those who were privileged to know Ruth will recognise a person very dedicated to bonsai and who engendered motivation and enthusiasm to many, particularly during the 1970's and 1980's when bonsai was emerging as an ever more popular hobby.  The UK bonsai scene will be forever in her debt.)
Susumu Nakamura, Telegraph photo from 2001 Ruth Strafford-Jones, Telegraph photo from 2001
Susumu Nakamura

Ruth Stafford-Jones

("Ruth Stafford-Jones: Obituary" posted by Tony Tickle from message to to him by Kath Hughes, 03 Aug, 2010, http://ibonsaiclub.forumotion.com/announcements-f5/ruth-stafford-jones-obituary-t3704.htm; Richardson, Tim  "Incredible shrinking woman," http://www.telegraph.co.uk/gardening/3291800/Incredible-shrinking-woman.html. above photo of Ruth from this article; personal e-mail from Richard Kernick to RJB 17 Oct 2006; "Demonstrators at World Bonsai Convention April in Omiya, Japan," Bonsai Magazine, BCI, Vol. XXVIII, No. 1, January/February 1989, pg. 26, above photo of Nakamura-san from this article, photo courtesy of Kazuya Morita, Bonsai Shunju magazine)   SEE ALSO: May 17
26 2004 -- Jerome "Jerry" Meyer died.  (Born on March 20, 1909, he would be a president of the Bonsai Society of Greater New York before founding the Yama Ki Bonsai Society in 1973.  He authored The Bonsai Book of Practical Facts in 1988.)  ("Bonsai News & Notes," Bonsai Magazine, BCI, October/November/December 2004, pg. 5)   SEE ALSO: Jun 16.
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Also this month,

1949 -- John Kiktavi published his How to Grow and Cultivate Miniature Living Trees this month.  The 48-page 8-1/2"x11"-format booklet also made mention of "The International Living Miniature Ming Tree League, a national club, open free to all persons that are interested in growing Miniature Ming Trees and who have purchased this instruction book."  [His National Nursery Supply in Inglewood, California would place advertisements in various periodicals over the next decade offering "Rare Tree Seeds for Cultivating Living Miniature (Ming) Trees."  See, for example, this ad in the October 1952 issue of Popular Mechanics, pg. 329; another in the April 1953 issue of Popular Science, pg. 71; and this one in Popular Mechanics, February 1955, pg. 48A.  Several enthusiasts would later admit that their entry into this hobby/art was due to them ordering and attempting to grow these seeds.  (No other info about John or his League has yet been discovered in our researchers.)]



(Kiktavi's book, title page, pg. 45, and Order Blank taped to inside front cover.)

1968 -- Nine bonsai growers attended an organizational meeting set up by John Robert Flynn and the Bonsai Society of Greater Kansas City was formed.  (The Kansas City bonsai movement started in the early 1960's with small groups gathering on patios for pruning and potting sessions.  Progress continued at a steady pace as the interest developed, but not without much effort by some individuals.  Flynn was instrumental in kindling the early enthusiasm, and Dr. John Philip Baumgardt used his influence as director of the Garden Center to include two classes for bonsai in the 1964 annual summer flower show.  Six exhibitors displayed two dozen trees in the lobby and drew interest from unexpected enthusiasts.  The bonsai growers, numbering about 20, staged their own show in 1965.  Bonsai and saikei were exhibited in the Fall of 1966, and repeated the following Spring.  The group brought George Fukuma from Denver in the Fall of 1967 to demonstrate and lecture.  A television appearance by Marian Gault, Herbert Brawner, and Flynn in October uncovered many new friends -- some had handsome collections and a strong interest in forming a bonsai society.)  [A letter would be sent to local enthusiasts and result in a charter membership during the Fall of 1968 of 45 members.  It would be resolved to limit the group's membership to 50 members.  Three years later the limit would be raised to 75.  The Kansas City club would unite "in brotherhood" with the Bonsai Societies of Denver in 1971, and the group would host the joint BCI-ABS Bonsai Congress '72 in Kansas City in July.]

George Fukuma, ABS Journal, ABS, Spring 1975, pg. 14
George Fukuma (Neil, Mary  "George Fukuma (1902-1974),"
ABS Journal, ABS, Spring 1975, pg. 14)


(Brawner, Herb  "Kansas City Has Plans For You," Bonsai Magazine, BCI, Mar 1972, Vol. XI, No. 2, pg. 18.)   SEE ALSO: Jul 13.

1969 -- The first edition of Wu Yee-sun's book, Man Lung Garden Artistic Pot Plants, was published in Chinese with English text.  Ten thousand green-cloth-cover hardbound copies being distributed worldwide.  Over two hundred selected penzai and penjing trained by Wu himself were included in the 227 mostly b&w photos.  [For much of the West this would be the introduction to the original Chinese miniature landscapes, previously known only as nebulous Japanese-bonsai-predecessors.]  (Fukumoto, David  "Yee-Sun Wu: The Spirit of Man Lung Penjing!," Bonsai Magazine, BCI, Vol. 41, No. 4, July/August 2002, pg. 33)   SEE ALSO: Mar 16, Mar 27, May 11, Jun Also, Jul 7, Sep 30, Dec 14.

1971 -- Excavations began on the tomb of Prince Zhang Huai, one of the seventeen attendant tombs in the vast double Qianling Mausoleum complex at Qianxian [Chienhsien] county, Shaanxi province, to the northwest of the capital city of Xian.  Zhang was the posthumous name for Li Xian [Li Hsien] (655-684), the second son of Empress Wu Zetian (r.690-705) and the sixth son of the third Tang emperor, Gaozong (r.650-683).  The tomb dates from c.706.  [It would be found to consist of a walled compound and an earthern pyramid above ground and a tunnel that slopes down about forty-five feet below the surface to a level passageway and two vaulted chambers.  Aligned along a north-south axis, the underground complex would measure about 70 meters in length, with the passage being 71 meters long, 3.3 meters wide and 7 meters deep.  The tomb would also have four skylights, four passages, six niches, a brick corridor, an ante-chamber and a burial chamber.  Although the tomb was once robbed, over 600 articles would be unearthed.  They would include various ceramic figurines, tri-colored ceramic figurines, articles for daily use and other burial objects.  There would be seen more than 50 basically intact murals in the tomb, occupying some 400 square meters.  The excavations would continue through February 1972.]
     Why this is important to us: The earliest-known graphic portrayal of penjing would be found here.  On the eastern wall in the middle of the passage to the tomb is the ink-and-color-on-plaster mural known as Courtiers and Guests, aka Courtiers and Foreign Envoys.  It vividly reproduces the scene of Tang officials greeting foreign envoys.  In the foreground are two enthusiastic court officials, and behind them are three foreign envoys.  This mural reflects the active exchange of friendly and diplomatic visits between China and foreign countries during the Tang Dynasty.
     Two of the servants in court attire hold with both hands penjing, artistic pot plants with miniature rockeries and fruit trees.  (There appears to be a non-essential piece of the mural missing between the two, evidence of surface degradation.)  The left-hand servant, male, carries a yellowish oval bowl, perhaps equivalent to nine inches long by an inch deep.  Two, possibly three, small pyramidal stones are in the dish.  The rightmost stone has a touch or two of aqua pigment.  On two of the stones is a small plant with a few frond-like leaves; the left-hand plant is topped with a red flower, the right with a green bud.  The servant to the right, female, carries a pot in the form of a lotus flower.  This contains a perhaps foot-tall thin-stemmed flowering plant or tree with leaves and fruits.  The gesture of these courtiers presenting the gifts suggest that these landscapes were very desirable and occupied honored positions in the mansions of the nobility of the time.

(http://www.chinatravelrus.com/chinaattractions/qianling-mausoleum.asp; http://www.cntravel.biz/china_tour_destinations/xian/tomb_zhanghuai.shtml; middle image from Yoshimura, Yuji  "Modern Bonsai, Development Of The Art Of Bonsai From An Historical Perspective -- Part 2," International Bonsai, IBA, 1991/No. 4, pg. 37, and right image from http://digilander.libero.it/nbc/index-file/Destra-file/storia%20del%20bonsai/Storia%20del%20bonsai.htm)

1992 -- Bunjae Artpia, the world's largest bonsai park was opened on Cheju Island about 40 km northwest of Cheju City, Korea.  Some 2,000 trees of about 100 species are displayed outdoors and indoors on a 33,000 sq.m. site.  Mr. Bum Young Sung dedicated 30 years to the planning and construction of this private park which is opened to tourists. ( http://www.icpop-korea.org/second/chejutour.html )


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